In the early 1920s, architect John F. Staub, a native of Knoxville,
Tennessee, who had studied at MIT and worked in New York,
came to the burgeoning city of Houston as an assistant to
nationally prominent architect Harrie T. Lindeberg. Staub was
charged with administering construction of three houses designed
by Lindeberg for members of the city's rapidly emerging elite. He
would go on to establish one of the most influential architectural
practices in Houston, where he would remain until his death in
1981.
Over four decades, Staub designed grand houses in such
communities as Shadyside, Broadacres, and, perhaps most
notably, River Oaks. His clients included the Hoggs, for whom he
created Bayou Bend; the Mastersons, his clients for Rienzi; and
members of the Wiess, Cullen, Farish, Welder, Fay, and Elkins
families. Although Staub also completed commissions for clients
elsewhere in Texas and the United States, it was primarily in
Houston that his work and influence took root.
This ambitious study of Staub's work by architectural historian
Stephen Fox goes beyond a description of Staub's houses. Fox
analyzes the roles of space, structure, and decoration in creating,
defining, and maintaining social class structures and expectations
and shows how Staub was able to incorporate these elements and
understandings into the elegant buildings he designed for his
clients. In the process, he contributes greatly to a fuller
understanding of Houston's emergence as a premier American
city.
Stunning color images by architectural photographer Richard
Cheek, combined with Fox's well-grounded and expansive thesis,
create a volume that will enchant, inform, and entertain. Students
and aficionados of American domestic architecture of the 1920s,
'30s, '40s, and '50s will appreciate the wealth of material, and the
volume's contribution to architectural history and the sociology
of architecture will commend itself to readers across the nation.
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STEPHEN FOX is a Fellow of the Anchorage Foundation of Texas.
RICHARD CHEEK is one of the foremost architectural photographers
in America. His work has been showcased in more than a dozen
volumes published by some of the nation's most prestigious presses.
Number Eleven: Sara and John Lindsey Series in the Arts and
Humanities