Let's Hear It

Stories by Texas Women Writers

Edited by Sylvia Ann Grider and Lou Halsell Rodenberger

“Lula wondered if the Halloween alps boys had been a mirage, a fig 
newton of her imagination, as she and her brothers had called it in 
their youth.”—Jan Epton Seale

“Fig newtons” of the imagination and memory abound in this collection of twenty-two stories by Texas women: the magical moment when a dying grandmother teaches Sue Ellen to dance; the red shoes Tammy the Tupperware Princess dons in New Orleans; weekends of escape and sisterhood spent in El Paso’s McCoy Hotel.

The stories chosen here—and introduced and placed in historical and literary context by Sylvia Ann Grider and Lou Halsell Rodenberger—weave a story of their own: the story of women’s writing in the Lone Star State, from 1865 to the present.

Authors include Beverly Lowry, Carolyn Osborn, Annette Sanford, Denise Chavez, Katherine Anne Porter, Judy Alter, Joyce Gibson Roach, and fifteen others.

As Susan Ford Wiltshire writes in “The Quilt,” “any grief was bearable if you could tell a story about it or make a story out of it.” Texas women have borne grief and laughter, hope and memory by telling a story. _________________________________________________________ Folklorist SYLVIA ANN GRIDER, an associate professor of anthropology at Texas A&M University in College Station, and LOU HALSELL RODENBERGER, professor emeritus of English at McMurry University in Abilene, Texas, earlier co-edited Texas Women Writers: A Tradition of Their Own, also published by Texas A&M University Press.

Number Sixteen: Tarleton State University Southwestern Studies in the Humanities

What people are saying about this book

"The Texas women whose stories make up this anthology and the editors who put the collection together have done the Lone Star State, and American Literature, proud."—Pembroke, June 2005
Introduction
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Let's Hear It

1-58544-278-X
cloth
 $40.00s
1-58544-293-3 paper $19.95
LC 2003006242 6 1/8x9 1/4. 432 pp. Bib. Index. Women’s Studies. Literature, Western Writing & Criticism.
NOVEMBER 2003


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